Our next production in April 2026 will be The Cherry Orchard by Anton Chekhov, in a translation by Michael Frayn.
At De Crypt, Gloucester
Wednesday 22nd April at 7.30 pm
Friday 24th April at 7.30 pm
Saturday 25th April at 2.30 pm and 7.30 pm
At Isbourne Arts, Winchcombe
Wednesday 29th April at 7.30 pm
Thursday 30th April at 7.30 pm
Friday 1st May at 7.30 pm
Rehearsals will be on Monday and Wednesday every week from the beginning of January 2026. There will also be a number of pre-rehearsal workshops and one-to-one character meetings during the autumn of 2025 – dates to be announced.
Auditions
Thank you to all who attended the reading on 6th July. We were thrilled to have so many there.
Auditions will be held on the following dates:
Wednesday 16th July 2025
Time: 7 – 9 pm
Venue: Montpellier Room, Cheltenham Playhouse. Please come to the Green Room.
Monday 21st July 2025
Time: 7-9 pm
Venue: St Paul’s Church Hall, Shurdington. (NB this is the little old building right next to the church, not the bigger village hall on the other side of the road.)
If you are unable to make either of these dates please contact us at rococoplayers20@gmail.com and we will be happy to arrange an alternative time.
Characters
Dunyasha – a chambermaid, loved by Yepikhodov, in love with Yasha, female, playing age 20s
Lopakhin (Yermola) – a businessman, rich now but born a peasant, male, playing age 40-60
Yepikhodov – the estate clerk, plays the guitar and sings, very prone to accidents, in love with Dunyasha, male, playing age 20-30s
Firs – the footman, born a peasant, now deaf and a bit vague, male, playing age 80s
Anya – Ranyevskaya’s daughter, admires Trofimov, female, playing age 17
Ranyevskaya (Lyuba) – owner of the estate and the cherry orchard, female, playing age 40s – 60s
Charlotta Ivanovna – Anya’s governess, German, formerly a circus performer, does magic tricks and ventriloquism, female, playing age 30s – 50s
Varya – Ranyevskaya’s adopted daughter (original parentage unknown), in love with Lopakhin, female, playing age 20s – 30s
Gayev (Lenya) – Ranyevskaya’s brother, keen player of billiards, male, playing age 40s – 60s
Pischik – a landowning neighbour of Ranyevskaya, chronically short of money, male, playing age 40s – 70s
Yasha – a young footman, ambitious to get on, male, male, playing age 20s
Trofimov (Petya) – a student, formerly tutor to Ranyevskaya’s son, idealistic seeker for change, male, playing age 20s – 30s
A passer-by – a vagrant who begs money from Varya, male, playing age any
The Stationmaster – a guest at the party, male, playing age any
The Postmaster – a guest at the party, male, playing age any
Party guests – possibly another 2, non-speaking, gender either, playing age any
Audition pieces
You may audition for up to three different parts. Please come prepared to read all or any of the audition pieces for the part(s) you are interested in. You do not need to learn them but you should be prepared to ‘perform’ them and you may be asked to modify your interpretation in response to suggestions from the director.
The audition pieces are in the pdf files below. Most are in the file called Audition pages. The other two pages were inadvertently omitted and added slightly later. Apologies.
Audition pages.pdf – most characters
Pages 28-29 – additional page needed for Ranyevskaya
Pages 48-49 – additional page needed for Varya
Simply find the character you wish to audition for in the table below and print off the relevant pages listed next to the character. (NB you need to look for the book pages not the page numbers of the pdf document.)
Character | Audition passage |
Dunyasha | From p.24 (Yepikhodov): “If I might trouble you …” to p.25 “Your cigar’s given me a headache.” |
Lopakhin | From p.10 “I have to leave straightaway” to p.11 “None whatsoever.” From p.51 (Ranyevskaya): “Is the cherry orchard sold?” to p.52 “I can pay for it all!” |
Yepikhodov | From p.23 from (singing) “What should I care for life’s clamour …” to p.24 “Now I know what to do with my revolver.” |
Firs | From p.11 “In the old days …” to p.12 “No-one remembers it.” From p.67 “Locked …” to “… silly billy.” i.e. the whole speech. |
Anya | From p.4 “I didn’t sleep on the way” to p.7 “I went up in a hot-air balloon.” |
Ranyevskaya | From p. 28 “Oh my sins” to “There’s a sound of music somewhere”. From p.43 “Why isn’t Leonid back?” to p.45 “I was joking, Petya!” |
Charlotta | From p.22 “I haven’t got proper papers …” to p.23 “… remains a mystery.” From p.40 “Think of a card” to p.41 “And that’s the end of my show.” |
Varya | From p.49 “Are you still here?” to p.50 “I didn’t hurt you did I?” From p.63 “That’s strange” to p.64 “… provided we don’t miss that train.” |
Gayev | From p.18 “If for some disease …” to p.20 “Clean as a whistle.” |
Pischik | From p.61 “Oh let me get my breath back.” to p.62 “Dashenka sends her regards. |
Yasha | From p.24 “Poor old Disasters” to p.25 “I’m not having that.” From p.58 (Anya): “Has Firs been sent off to the hospital?” to p.59 “They’re coming.” |
Trofimov | From p.30 (Lopakhin): “Our wandering student” to p.32 “Better to be silent.” |